In the early 1980s, Detroit techno DJ Eddie Fowlkes formed a associated design referred to as electro-soul, which was characterised by a predominant bass line as well as a chopped up electro breakbeat contrasted with soulful male vocals.[33] Kurtis Mantronik's electro-soul productions for Joyce Sims presaged new jack swing's combination of hip hop

^ Fikentscher (2000), p. 5, in speaking about the definition of underground dance audio as it pertains to publish-disco songs in the united states, states that: "The prefix 'underground' isn't going to merely provide to elucidate the related variety of songs—and its cultural context—are acquainted only to a small amount of educated persons. Un